The Defenders Are In Business

The Defenders Are In Business

 

I’ve just spent the entire day, since 8 am this morning, watching the new Marvel Netflix show – Defenders.

And ohhhh boy, was it AMAZING!

The eight episodes chronicle previous Netflix series heroes – Daredevil (Charlie Cox), Jessica Jones (Krysten Ritter), Luke Cage (Mike Colter) and Iron Fist (Finn Jones), as they team up to finally put a stop to The Hand – an organisation both Iron Fist and Daredevil have faced before.

Without giving away spoilers, of which they are many, the TV show is an absolute thrill ride and brings Marvel’s Netflix world back on track.

Things, for me at least, fell apart a bit during Iron Fist’s first solo outing. The fight scenes did nothing for me, the story wasn’t all that interesting, and, quite frankly,Ā everyoneĀ around Iron Fist was more interesting than Iron Fist himself.

But, Defenders brings Netflix back on track. A brilliant story line, excellent fight scenes for everyone, lots of blood, guts and gore, there’s something for everyone.

Also, Marvel has clearly taken the time to improve the character behind the Iron First, Danny Rand. His choreography wasĀ farĀ better than before, and while naiveĀ (and, admittedly, still annoyingly head strong) Danny almost becameĀ likeable.Ā 

Don’t get me wrong, I finished the series still not liking him, but I hated himĀ lessĀ after this series. I still laughed at watching him get beaten up, but I wasn’t actively wanting him to get killed like I was in his solo series.

Personally, I think it was all down to how he was presented, and how he interacted with other characters.

His fellow Defenders really offset Danny’s annoying tendencies and stopped him rushing into danger a lot, as well as shut down his naiveĀ moments. He still had them, but at least his ideas weren’t followed through with for the most part, so I didn’t feel like tearing my hair out with frustration with him.

As for the other Defenders, they were all still on complete top form. They blended together perfectly in my opinion. They didn’t like each other all that much, and certainly didn’t get along for most of the show, but they still blended together well.

I had been worried that this series wouldn’t work, as the characters are too different in personality and too similar in powers. But it actually worked incredibly well.

Worked so well, in fact, I was near tears by the end. Honestly, I very nearlyĀ criedĀ at the end. At the very least, I was terrified that someone wasn’t going to come back.

From the cinematography to the plot, to the comic references, this show is truly bringing Marvel back on track.

If you’re someone who loves Marvel, violence, gore, or just Netflix TV shows, I would highly recommend Marvel’s The Defenders. It’s clever, funny in places, violent to the extreme at points, and restored my faith in Marvel’s Netflix universe.

The Defenders are officially in business, and I cannot wait to see what they do next, individually or together.

Whatever they do next, it will certainly be one hell of a ride.

The Murdstone Trilogy By Mal Peet – Review

murdstone

What does every writer want, more than anything? More than a book deal, along with a movie adaption deal?

Someone to write the book for them, that’s what. And don’t try to tell me you don’t, every writer has, at leastĀ onceĀ in their writing life, wished the book would either write itself, or for someone to do it for them.

That’s exactly what Philip Murdstone gets.

Murdstone starts this book as an established writer, but he hasn’t published anything in years, and his sales are going through the floor. He usually writes books for ‘sensitive boys,’ overcoming some sort of trial in their lives, and that kind of thing just isn’t selling anymore.

What is selling, though, isĀ fantasy.Ā Fantasy is selling by the bucket loads. Every literary agent, publishing house, and writer, is looking to create the next Harry Potter.

There’s one problem. MurdstoneĀ hatesĀ fantasy, abhors it, wants it banished from the world. He’d ratherĀ dieĀ than write a fantasy.

ā€œI hate Tolkien. I mean. Bloody pretentious escapist nonsense, isnā€™t it?ā€

His agent doesn’t like the genre very much either, but it sells, so who cares?

But when he is faced with no other choice, he gives in, and that’s where this story starts.

Murdstone ends up meeting Pocket, a swearing, uncouth, yet strangely likeable, Greme from another land, who agrees to tell him about Morl, a dark necromancer trying expand his Thule. The book becomes an instant classic, Murdstone soars to J.K Rowelling levels of fame.

It all comes at a price, though. And that price is Morl trying to use a sacred Amulet to get into this world, an Amulet that Murdstone possesses, and uses, to translate Pocket’s stories into our language.

Every writer’s dream, and worst nightmare, wrapped into one.

But, for a reader, it’s brilliant.

For a reader, who also happens to be a writer, or knowledgeable in the publishing industry, it isĀ dream,Ā to read.

Full of sass, snark, and just about every insult to Tolkien, Rowelling, and the fantasy genre as a whole, The Murdstone Trilogy is an unrelenting, yet hilarious, story, with twists and turns galore. Nothing is safe from Murdstone and his ire.

ā€œWriters no longer work in solitude, crafting meaningful and elegant prose. No. They have to spend most of their time selling themselves on the fucking internet. Blogging and tweeting and updating their bloody Facebook pages and their wretched narcissistic websites.ā€

In between the Hamlet-esque ‘is he mad, or is this actually happening,’ diatribes against just about everything, and the fear for Murdstone’s life, there are moments where the audience can really sympathise with Murdstone’s plight.

Every writer has thought that they couldn’t finish the book, or face huge deadlines that loom overhead, or have been so unbelievably stuck, they didn’t think they could ever get out of it.

Every writer has wished that they were as successful as J K Rowelling.

Every writer has definitely wished for someone to take the story away and magically complete it for them.

And that’s the magic of this book. It’s wacky, and insane, but it speaks to the authors, the publishers, the editors. It creates a story focused around the world of publishing, while keeping the most fantastical elements flowing.

I loved every second of this book. It was truly a wonderful read, that had me laughing throughout, and half wishing I could have my own Murdstone-style adventure.

Witty, uncompromising, definitely not for the faint of heart, but, an absolute must read for anyone who loves books.

Valerian And The Intense Special Effects

For weeks now, every time I’ve gone to the cinema, I’ve seen adverts for Valerian and The City Of A Thousand Planets. I feel like it’s been everywhere for ages now, so I decided to go and see what it was all about.

Now that I’ve seen it, I’m still not entirely sure.

Valerian follows Valerian (Dane DeHaan) and Laureline (Cara Delevigne), who are agents working for the space police in the future, and their adventure around Alpha. Alpha is a conglomeration of a thousand planets, who pool all their knowledge together for the greater good. But there’s a problem, according to the general, there’s an area in the centre of the station which is heavily irradiated, and it’s killed every agent who’s gone inside it.

At least, that’s the plot line I picked up on. There’s about four going through the film, to do with general, an alien species and their dead planet, and the fact that Valerian wants to marry Laureline, but she doesn’t want to, until he’s decided to grow up.

These plots weave in and out of each other, quite heavy-handedly at points, with fight and chase scenes interspersed throughout. I found it really quite difficult to pick out exactly what the plot was supposed to be, Ā it felt like there were so many things going on constantly, with no real cohesion, until the end.

For the most part, I didn’t feel much for anybody. The film threw it’s audience into the action, without giving anybody the chance to find out anything about any of the characters. Not that there was much to say about the characters themselves, really. I found both Valerian and Laureline to be stereotypes, with barely any padding on them, and any chance for them to become more was completely ignored.

In fact, I’d go as far as to say that every chance for the story line to break away from stereotype was ignored. There wasĀ so muchĀ this story could have explored, the writers had an incredible play ground to play in, with so much they could have explored, and instead we got the same old tired space story.

The best part of this film was definitely the special effects. The special effects team deserve medals to say the least. Every alien, space scene, and chase looked real. I was utterly convinced of the special effects, which did so much more to transport me into this sci-fi world, than the story line.

If the writers had spent as much time working on the script, as the special effects team clearly did on their part, this film could have been amazing. Instead, it felt rushed, and left me wanting so much more than what I got. Maybe if I had read the comic book by Peirre Christin first, I would have gotten more from it, but personally, if you’re going to adapt a book into a film, it should be made for die hard fans, and complete newbies too. Without it, you lose half your audience’s interest.

Full Disclosure On The Addams Family

They’re creepy and they’re kooky, mysterious and spooky, they’re all together ooky, the Addams Family! And their musical has finally come to the UK!

I’m a life long Addams Family fan, I’ve loved the films since I was a child, wasĀ nicknamedĀ Wednesday by certain family members, and have generally been a massive fan of the iconic family for years. So when I heard that there was a musical, I had to check it out.

Sadly, for years, it didn’t come over to the UK, so I had to make do by listening to Carrie Hope Fletcher sing ‘Pulled’ (Wednesday’s big solo) on repeat for three years.

When the UK tour was announced, I raced to get tickets, especially when I found out that Wednesday was being played by Carrie. I’ve been a huge fan of her too for years, so to see the two collide was an absolute dream. A dream, that did not disappoint.

The Addams Family musical is focused on Wednesday, who has fallen in love. But she’s not in love with just anyone, she’s in love with a *shudders*Ā normal boy,Ā fromĀ Ohio.Ā In fact, she’s not just in love with him, she’sĀ engagedĀ to him. The only problem is, Morticia doesn’t know, and Wednesday wants her blessing.

So, she organises a dinner, for her fiance Lucas and his family to meet her family, and gain the blessing of her parents. And that’s where things go wrong. Wednesday has driven a wedge between her parents, forcing Gomez to lie to his wife for the first time in their entire marriage, Lucas’ parents’ marriage is failing, Pugsley is scared to lose his sister, and the families, to say the least,Ā clash,Ā with sometimes hilarious, yet strangely poignant, results.

I was worried before I saw the musical that it would be too different from the films, that it wouldn’t be done well, that everybody would be wrong for their roles. That Andrew Lippa wouldn’t capture the true essence of The Addams’. But I needn’t have worried. It’s clear this musical was lovingly made. There’s changes to the characters we know and love, but that’s because they’re grown up now, with new experiences under their belts. They’re still psychopaths, still in love with death and all things dark, and most importantly, they’re a family.

Because really, that’s what The Addams Family has always been about. Family. As they sing in the opening number, it’s family first, it’s family last, it’s family by and by. It’s about learning more about each other, getting through the tough times, fighting for the ones we love, and showing just how a family should be… Even if that family is slightly odd.

Filled with brilliant one liners, darkly wonderful songs filled with lyrics such as ‘I want my love to cut you like my knife,’ and fantastic acting, The Addams Family is unmissable. Especially for those who has always wanted to do the ‘click clicks’ with an audience, wanted to be part of the clan, or just simply wanted another Addams adventure.

I wish I could see it again, and I hope that I will get the chance some day in the future. Even if I don’t, I thoroughly enjoyed the experience. It fulfilled many childhood dreams, I laughed, I clicked, I clapped, and I finally got to hear Pulled live. I’m a very (un)happy Addams fan.

Click. Click.

 

Guardians Of The Galaxy Is Out Of This World

 

Alright, I’ve had 4 hours sleep, which was interrupted thanks to a lovely pounding headache, but I have to write this now because I cannot stop thinking about Guardians Of The Galaxy Volume 2.

I’ve been looking forward to this one for a while, as I do with all the films Marvel releases, but the Guardians have had a special place in my heart for a while. The first film was a triumph, and made me fall in love with how different they are from other superheros in the franchise, how the humour is kicked up a notch, and just simply how lighthearted this rag-tag team of misfits are.

But Volume 2 hit me sideways. I was not expectingĀ the turns this film took, I was expecting a laugh out loud comedy action film, instead I got a funny, but poignant, film focusing entirely on one important thing: family.

When we left the Guardians Of The Galaxy had just learnt to work together as a group, and in this film, they still work together, but they’ve become a family. And by family, I mean a very dysfunctional one. Peter and Rocket argue constantly, Gamora is ignoring all of Peter’s advances, Drax doesn’t listen to a word anybody else says. Groot mostly stays out of it, because he’s just a tiny baby tree (and by just I mean the cutest thing Marvel have ever created), who is in essence a toddler who likes to cause trouble. The arguing is getting worse and worse, they all love each other in their own ways, but they haven’t learnt to live together, and they are getting close to tearing each other apart.

Meanwhile, Yondu’s crew have mutinied against him, The Sovereign are after the Guardian’s, and there’s a mysterious man hanging around with an alien claiming to be Peter’s dad. That’s right, Peter’sĀ dadĀ has found him, and we finally find out why Peter could hold an Infinity Stone without dying instantly.

I won’t say who he is for spoiler reasons, though if you’re on the internet as much as I am, you’ll know by now, as it was announced months ago. All I’ll say is that the man is full of mystery, and thanks to him, we find out so much more about each member of the team, things that we were desperate to know, some we really weren’t.

I’m making this sound like it’s really angsty all the way through, and it really isn’t. The essence of what makes Guardians Of The Galaxy is still there, the humour definitely more adult in places, but this is still as fun as the first one, if not more so. The plot is great, with some fantastic plot twists that hit me so hard in the chest I nearly wanted to cry. The stakes are higher, the bad guys are more powerful, and most importantly, the films heart got bigger. The Guardians have always been about family, and this time it shines brighter in the most beautiful way.

Volume 2 is like Volume 1, dialed up 100 notches, it’s brilliant, fantastic, just as mind-blowing as the first. I loved every second. I laughed, I nearly cried, IĀ freaked outĀ in places at references as to what is to come later in the MCU. Essentially, I loved it. Plain and simple.

Guardians Of The Galaxy Volume 2 is an awesome mix of fun, love, and consequences. A film I feel that everyone should watch. Marvel have once again hit the nail on the head, and made one amazing film.