Uproarious Thor Ragnarok

 

Uproarious Thor Ragnarok (1)

Loki is on the throne of Asgard.

Thor is having visions of the end of worlds.

Hela has escaped her prison.

Ragnarok is upon us, time to fight!

And what a fight it is! Thor Ragnarok is the third solo adventure for Chris Hemsworth’s Thor, and it is most probably the best one.

This film see’s Hemsworth really come into his own as Thor, as he tries to stop  The Goddess Of Death, Hela (Cate Blanchett), from destroying Asgard. There’s only one problem – he’s stuck on Sakaar, forced to fight The Hulk (Mark Ruffalo) for the entertainment of The Grandmaster (Jeff Goldblum).

Loki (Tom Hiddleston) is of no help, and neither is Valkyrie (Tessa Thompson), a fellow Asgardian stuck on the planet.

It’s entirely up to Thor to bring his team together and face down the Goddess, to save his people, his planet, and possibly the galaxy, from Hela’s wrath.

What follows, is a brilliant, uproarious thrill fest of fights, high stakes and laugh out loud humour, reminiscent of Guardians Of The Galaxy.

Taika Waititi really took a risk with Ragnarok, while not everyone liked the previous formula for Thor solo films, they still worked brilliantly, and possibly fit better with the classic Norse Mythology. But Taiki utterly flips this on its head – Ragnarok is bright and full of jokes, Thor doesn’t take himself as seriously, Loki doesn’t get all the oneliners, and even Hulk gets a chance to shine outside of a battle scene.

But despite all the humour, you still feel the gravity of the situation.

Hela is on the warpath, Asgard is unprotected, and there’s nothing stopping her from destroying everything in her way. The danger is very real, and while this film is hilarious, it never forgets that it is supposed to be about Ragnarok. The tone takes a little while to adjust to, but once you do, this film propels its audience through every second and never lets you go.

I loved every second of this film, it was fantastic from beginning to the end. From the storyline, the humour, the new characters, and the cameo (Hiddlesbatch fans will be reasonably pleased with Doctor Strange’s appearance, though we will have to wait until Infinity War for a possible magic fight between Stephen and Loki), it was all genius. Definitely a risk work taking.

Thor finally got his chance to shine and become The God Of Thunder he was always supposed to be. Norse Mythology was given its due, and while a lot was changed to fit more comic book elements into it, the essence was still there.

I feel like Thor’s journey has properly begun now, I cannot wait to see where it takes us from here!

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Golden Kingsman

The Kingsman Are Golden

Suit jackets are buttoned, ties are tied, the Oxfords are on, not the Brogues. That can only mean one thing – the Kingsman are back!

Last night, the second outing for the Kingsman debuted, and what an adventure it was!

Robots, psychopathic villains and character resurrections define The Golden Circle, in one of the maddest, out of this world films I’ve seen this year.

Think Kingsman 1, but bigger, better, and all round crazier, and you have the vaguest idea of this film.

The Golden Circle follows Eggsy (Taron Egerton) and Merlin (Mark Rylance), the only surviving members of the Kingsman, after every hideout is blown to pieces, as they travel to America to find the US version of their organisation – The Statesman.

The two could not be more different, the Kingsman are the definition of stylish, discreet, and gentlemanly. The Statesman are quite a bit louder, brasher, and just about every stereotype an American secret service organisation could be – but with some very cool toys.

Naturally, Eggsy and Merlin clash terribly with Statesman agents Whiskey (Pedro Pascal), Champs (Jeff Bridges), and Tequila (Channing Tatum), but have to work as best they can to take down The Golden Circle, who have a plan to kill millions with infected drugs.

Sound like enough to be dealing with? Well, there’s another thing to add to that list of problems – Harry is back. That’s right, Harry Hart (Colin Firth), Eggsy’s mentor, previously shot-through-the-head-and-dead agent of Kingsman, is alive. Missing an eye, and all of his memories, but he’s alive. And Eggsy has no idea what to do, he has to complete the mission, but he needs Harry back to his old self, so the old crew are back together.

Hilarious, insane, and ruder than the first, Kingsman: The Golden Circle is an unforgettable thrill ride. Anyone who says it was too long, or suffered from thinking ‘bigger is better’ is entirely wrong, and clearly don’t know what the Kingsman franchise is all about. It’s about massive fight scenes, far-fetched plots, insane characters, it’s escapism in it’s truest form.

I laughed, I nearly cried, and loved every damn second of it. As Eggsy would say – it was fucking awesome – and well worth seeing several times over.

Valerian And The Intense Special Effects

For weeks now, every time I’ve gone to the cinema, I’ve seen adverts for Valerian and The City Of A Thousand Planets. I feel like it’s been everywhere for ages now, so I decided to go and see what it was all about.

Now that I’ve seen it, I’m still not entirely sure.

Valerian follows Valerian (Dane DeHaan) and Laureline (Cara Delevigne), who are agents working for the space police in the future, and their adventure around Alpha. Alpha is a conglomeration of a thousand planets, who pool all their knowledge together for the greater good. But there’s a problem, according to the general, there’s an area in the centre of the station which is heavily irradiated, and it’s killed every agent who’s gone inside it.

At least, that’s the plot line I picked up on. There’s about four going through the film, to do with general, an alien species and their dead planet, and the fact that Valerian wants to marry Laureline, but she doesn’t want to, until he’s decided to grow up.

These plots weave in and out of each other, quite heavy-handedly at points, with fight and chase scenes interspersed throughout. I found it really quite difficult to pick out exactly what the plot was supposed to be,  it felt like there were so many things going on constantly, with no real cohesion, until the end.

For the most part, I didn’t feel much for anybody. The film threw it’s audience into the action, without giving anybody the chance to find out anything about any of the characters. Not that there was much to say about the characters themselves, really. I found both Valerian and Laureline to be stereotypes, with barely any padding on them, and any chance for them to become more was completely ignored.

In fact, I’d go as far as to say that every chance for the story line to break away from stereotype was ignored. There was so much this story could have explored, the writers had an incredible play ground to play in, with so much they could have explored, and instead we got the same old tired space story.

The best part of this film was definitely the special effects. The special effects team deserve medals to say the least. Every alien, space scene, and chase looked real. I was utterly convinced of the special effects, which did so much more to transport me into this sci-fi world, than the story line.

If the writers had spent as much time working on the script, as the special effects team clearly did on their part, this film could have been amazing. Instead, it felt rushed, and left me wanting so much more than what I got. Maybe if I had read the comic book by Peirre Christin first, I would have gotten more from it, but personally, if you’re going to adapt a book into a film, it should be made for die hard fans, and complete newbies too. Without it, you lose half your audience’s interest.

Guardians Of The Galaxy Is Out Of This World

 

Alright, I’ve had 4 hours sleep, which was interrupted thanks to a lovely pounding headache, but I have to write this now because I cannot stop thinking about Guardians Of The Galaxy Volume 2.

I’ve been looking forward to this one for a while, as I do with all the films Marvel releases, but the Guardians have had a special place in my heart for a while. The first film was a triumph, and made me fall in love with how different they are from other superheros in the franchise, how the humour is kicked up a notch, and just simply how lighthearted this rag-tag team of misfits are.

But Volume 2 hit me sideways. I was not expecting the turns this film took, I was expecting a laugh out loud comedy action film, instead I got a funny, but poignant, film focusing entirely on one important thing: family.

When we left the Guardians Of The Galaxy had just learnt to work together as a group, and in this film, they still work together, but they’ve become a family. And by family, I mean a very dysfunctional one. Peter and Rocket argue constantly, Gamora is ignoring all of Peter’s advances, Drax doesn’t listen to a word anybody else says. Groot mostly stays out of it, because he’s just a tiny baby tree (and by just I mean the cutest thing Marvel have ever created), who is in essence a toddler who likes to cause trouble. The arguing is getting worse and worse, they all love each other in their own ways, but they haven’t learnt to live together, and they are getting close to tearing each other apart.

Meanwhile, Yondu’s crew have mutinied against him, The Sovereign are after the Guardian’s, and there’s a mysterious man hanging around with an alien claiming to be Peter’s dad. That’s right, Peter’s dad has found him, and we finally find out why Peter could hold an Infinity Stone without dying instantly.

I won’t say who he is for spoiler reasons, though if you’re on the internet as much as I am, you’ll know by now, as it was announced months ago. All I’ll say is that the man is full of mystery, and thanks to him, we find out so much more about each member of the team, things that we were desperate to know, some we really weren’t.

I’m making this sound like it’s really angsty all the way through, and it really isn’t. The essence of what makes Guardians Of The Galaxy is still there, the humour definitely more adult in places, but this is still as fun as the first one, if not more so. The plot is great, with some fantastic plot twists that hit me so hard in the chest I nearly wanted to cry. The stakes are higher, the bad guys are more powerful, and most importantly, the films heart got bigger. The Guardians have always been about family, and this time it shines brighter in the most beautiful way.

Volume 2 is like Volume 1, dialed up 100 notches, it’s brilliant, fantastic, just as mind-blowing as the first. I loved every second. I laughed, I nearly cried, I freaked out in places at references as to what is to come later in the MCU. Essentially, I loved it. Plain and simple.

Guardians Of The Galaxy Volume 2 is an awesome mix of fun, love, and consequences. A film I feel that everyone should watch. Marvel have once again hit the nail on the head, and made one amazing film.

 

Enchanting Beauty And The Beast

I have a small confession to make, I have never watched the original animated version of Beauty And The Beast, and to be honest, I haven’t watched most of the classic Disney films. I was a kid who was more into watching The Matrix Trilogy than Disney films, but now that I’m older (and having gotten heavily into Once Upon A Time) I’m giving Disney films a go, and seeing as this remake had just been released, I decided to give it a go.

Starring Dan Stevens, Emma Watson and an all star cast of wonderfully talented people, Beauty And The Beast tells the story of Belle, a bookish young woman who ends up trapped in a run down castle, owned by a prince, who has been turned into a monstrous beast, thanks to a curse. The Beast is a rude and terrible creature, and the only people who can stand him are his old servants, who have all been turned into sentient objects. Only a beautiful woman can break this curse and return everyone to their original human form, but she has to fall in love with the beast to break it.

It’s a tale as old as time, but it’s absolutely brilliant! I absolutely loved every moment of the film, from the incredible special effects (Dan Steven’s doesn’t just voice Beast, he actually motion captured his body and facial expressions throughout) to the wonderful songs, it all comes together so beautifully.

Of course, this is a Disney movie, so things do generally come together beautifully. But sometimes remakes can be awful, but this one wasn’t. It may be because I haven’t seen the original, and so can only compare it to the Once Upon A Time version of the characters, who are, in a lot of ways, wildly different. But to me, this films seems to be lovingly remade from the original animation, and done brilliantly.

Dan Steven’s Beast is so perfectly misunderstood at the beginning, and becomes a such a nice person, I couldn’t help but fall for him. I wasn’t expecting him to have such a nice singing voice either, or be such a wonderful dancer.

The same goes for Emma Watson, and she plays Belle brilliantly. Belle is an intelligent girl, one who can save herself, and she does so several times throughout.

And that is without mentioning Luke Evans, who plays Gaston. Somehow, he made the character likeable, yet easily hateable at the same time. I couldn’t take my eyes off him whenever he was on screen.

All in all, Beauty And The Beast is a wonderful remake, made by a talented cast and crew. I was easily swept up in the magic of it all, found the story enchanting, and everything to do with the film brilliant. I truly feel like I missed out as a child not watching the original, but I’m glad I saw this one first, at this age, so I could appreciate it as much as I did. The only thing I’d suggest as an improvement would be to see more the Beast as a human, or possibly more of a back story for him, so we as an audience got to see how Beast became to be so beastly a person. Other than that, this is a fantastic film, one I would highly recommend seeing.

Logan’s Swan Song

logans-swan-song

Seventeen years ago, the X-Men burst onto our screens, starting a whole near era in superhero film, one that admittedly has it’s problems thanks to timeline changes, but still a very enjoyable one. Two of the lead roles, were Wolverine, played by Hugh Jackman, and Professer Xavier, played by Patrick Stewart, who have now become iconic in these roles. Logan says goodbye to both, paying tribute to them, as well as giving them one last adventure. An adventure that’s unlike any other X-Men film before it.

Usually, the X-Men films are reasonably funny and lighthearted. But Logan is anything but lighthearted. It would fit more with the Marvel Netflix series’ than the rest of the X-Men canon. The story is dark, and gritty, not holding back on the character’s hardships, or how badly life had hit them.

Professor X is deteriorating mentally, barely able to control his powers, Logan is looking after him, working as a chauffeur to raise enough money to look after them both. There is no-one else that can help, the X-Men are gone, the mansion left unmentioned, mutants are dying out. The world thinks the professor is dead, a terrible accident killing him a year ago. And, possibly most importantly, Logan is also dying. His healing powers are failing him, poisoned by the Adamantium wrapped around his bones. Logan’s body is littered in scars, his wounds don’t heal as fast, he’s drinking to cope.

To say the least, things are bleak. Things get only bleaker when a nurse calls for Logan’s help, to take her and her daughter to Eden, a safe haven for mutant kind. A company is after them, and want to kill the girl, named Laura. Logan and Xavier get dragged into the fray when they discover that Laura is not human – she’s a mutant, one with some very familiar powers indeed.

What follows is still bleak, but brilliant. Despite this being a superhero film, it does not follow the usual tropes. This is more a story about a man learning how to care again, facing the worst adversity he has ever faced, despite the costs to himself. The audience is swept up completely in Logan’s struggle, routing for him more than ever before.

Logan is, in essence, one of the best X-Men films ever made. It’s beautifully shot, beautifully written, and beautifully acted. A bittersweet experience, as you never want this to end, but knowing it has to. Not only will the film end, but these characters are going to be gone forever at the end too.

Yes there were things left unexplained, and there were no appearances from any other famous X-Men, they weren’t even mentioned by name. But if things had been fully explained, if others were mentioned, it would have detracted from what this film is – Logan’s swan song.

While I did not want to see Logan ever go, the same with Professor X, it would do a disservice to this film to demand they bring these character’s back, through a timeline change, or by any other means. This was the perfect ending for the character, the last five minutes nearly bringing me to tears. By far, this was Logan’s best solo film. His ultimate goodbye.

I used to say that David Tennant’s regeneration was the day my childhood ended, but now that has been surpassed. I have spent most of my life watching and loving the X-Men, despite it’s faults and mistakes. Logan though may just now be my favourite, we saw Logan in his true form, in all of his glory. I loved every second.

Thank you, Hugh Jackman and Patrick Stewart, you and your characters will be dearly missed, and never, ever replaced.

The Assassin’s Creed Does Not Live On

assassins-creed

As of Wednesday, I’ve now seen the Assassin’s Creed film, starring Michael Fassbender, twice. And I’m still not totally sure if I enjoyed it or not. I mean, it’s quite a cool concept, which is why the games have done so well, but I feel like there were some problems throughout.

For those who haven’t seen the film, it follows the story of Cal Lynch, who wakes up after his execution in a medical facility, and is forced into a machine called the ‘Animus,’ which essentially sends him back in time, into the body of one of his ancestors, so that he can help find the ‘Apple Of Eden.’ The Apple is supposedly the seed of humans first disobedience, and by obtaining it, the company can obliterate violence from mankind.

And that’s about all I understood to be honest.

The rest wasn’t really explained at all. I barely remember any other character’s names, can’t remember the company name for the life of me, and barely understood anything else going on.

For example, some of the other test subjects in the facility think that Cal will betray them, but it’s never explained why they think this. There’s very little explanation to Cal as to what the Assassin’s Creed is, or why they are doing this to him. And then some fight scenes are completely incomprehensible and utterly impossible to follow.

Sure, there was some explanation to some plot points, but mostly it was up in the air as to what was going on. I thought some research into the video games would help, and it did essentially nothing to help, as the games follow different characters and the plot has been changed for possible spoiler reasons. Then I thought a second viewing would help, and it still didn’t enlighten me any further, so I’ve essentially given up understanding half the film.

And yet, I sort of enjoyed myself. Despite the unexplained, I did mildly enjoy myself, not as much as I have done in previous films but it’s still reasonably enjoyable, if you’re into this kind of thing.