A Guide To Terry Pratchett’s Discworld

A Guide To Terry Pratchett's Discworld

Three years and two days ago, Terry Pratchett left us, but, he left behind a legacy. A legacy known as The Discworld – a series of books, beloved the world over for their quirky characters, bonkers world, and fantastical adventures.

The thing is, is that The Discworld as a whole is 41 books long (not including mini stories and spin-offs), and that’s a bit daunting, even to the most avid of readers. There’s talk of adaptions of The Watchman, already adaptions of three other books, none of which connect to each other. So where does one even start with a series that big? Is it the same characters the whole way through? And just what the hell is The Discworld all about exactly?

Well, this guide is going to help you with all that and more! I’ll start at the beginning.

What is The Discworld?

Simply put, The Discworld is a literal disc world, which floats through space. Not like a giant frisbee, of course not, that would be stupid.

It sits on top of the Great A’Tuin, a giant turtle, with four elephants on top of its shell. The Discworld sits directly on top of the elephants.

Yes, you read that right. A giant turtle flying through space, with four elephants on its back, with the Discworld on top of that. It sounds mad, but that may be one of the sanest parts of this weird and wonderful series.

“The philosopher Didactylos has summed up an alternative hypothesis as “Things just happen. What the hell”.”

Who are the main characters?

That would depend on which book you read. Each Discworld novel revolves around a different set of people – yes, there are some recurring characters, who have their own little ‘mini-series’ inside the entire series, but mainly, most characters turn up for one book and leave again.

But, if you are lucky, you can read about a couple of recurring characters. Characters such as:

Rincewind, a doddery (failed) wizard from the Unseen University who is utterly useless at magic, yet is somehow always dragged into the most ridiculous and dire circumstances. He has been described by scholars as ‘the magical equivalent of the number zero’. He’s also known for turning small, tiny problems into horrendous disasters.

“Rincewind tried to force the memory out of his mind, but it was rather enjoying itself there, terrorizing the other occupants and kicking over the furniture.”

Starring in 8 different books, including the first ever, The Colour Of Magic, and making appearances in a few others, he’s a great place to start. Through Rincewind, you’ll meet a few other recurring characters, such as the Unseen University Wizards, Moist Von Lipwig, and my personal favourite, DEATH.

I swear I’m not weird, or that I’m trying to be some sort of edge-lord, DEATH Himself is my favourite character in the entire Discworld series.

DEATH is who you expect – the skeleton in the black cloak and the scythe, who reaps dead souls. But he isn’t a completely flat character, he’s actually quite funny, and has a soft side. A soft side which loves humanity, kittens, and curry. A soft side, which leads him to adopting a human daughter, recreating his ‘world’ in humanities image, taking on a human apprentice, and ending up with a granddaughter with half his powers.

DEATH’s first appearance is also in The Colour Of Magic and continues through five more books. He was my first big Discworld character, as my first hit of Discworld was with the adaption of The Hogfather, which remains to be my favourite book of the series. He’s a lonely character, one desperate for friends and happiness, to understand humanity as a whole. But he’s a fun character to follow, utterly fascinating, brilliantly funny in a deadpan way, but with the obvious dark edge (and scythe) to look out for when the moment calls for it.


Then, if you want to get out of Ank-Morpork, the most famous city on the Disc, or a book for a younger reader, then look no further than Tiffany Aching and the Wee Free Men.

Tiffany is a 13-year-old witch at the start of her story, and she befriends the Nac Mac Feegle. They are an army of tiny, blue, drunk, Scottish ne’er-do-wells, and her series follows their adventures as she learns more about being a witch, and the troubles the Feegle can cause along the way.

“Zoology, eh? That’s a big word, isn’t it.”

“No, actually it isn’t,” said Tiffany. “Patronizing is a big word. Zoology is really quite short.”

There are a lot of other characters throughout the Discworld, which is to be expected with a series this long, but all are as loveable and brilliant as the previous. There won’t be one you won’t find captivating, I’d recommend any and all of them, even the ones I haven’t read yet. I have such faith in Sir Terry that I know I will love anyone he puts in front of me.

But where do I start with all this? There are so many books!

Wherever you want to, is the simple answer to that. There is no real order in the Discworld, you can read any book at any time, and still know what’s going on, even if you haven’t read that recurring characters back story.

As I said earlier, I started with The Hogfather, and by that, I mean that I watched the adaption Sky One produced about ten years ago. Blasphemous, I know, but I’ve since rectified this situation.

The Hogfather is the 20th Discworld novel, and 4th in DEATH’s series, and yet it made perfect sense as I watched and read the book. DEATH’s granddaughter, Susan, is one of the main characters, and while it would have helped to have read Mort first, her lineage is explained in-book, as is anything else you may be sat there thinking ‘huh?’ at.

The same goes for any other book you want to read in The Discworld, if there are no recurring characters, then you start afresh, if there are, they always mention anything relevant to the plotline so you aren’t left behind. The lore of the Discworld stays the same, so all you ever have to remember is what A’Tuin is, and that the people of the Discworld live similar lives to ours, only their world is filled with magic, and is a little more violent than our own.

So, essentially, you can start anywhere, and go on from there. You could follow Rincewind, or DEATH, or the Ank-Morpork watch, or Tiffany. You could pick and choose whichever book you fancy. Or, you could do the simple thing and read from A Colour Of Magic, all the way through to The Shephard’s Crown in order if you like. It’s up to you.

Personally, I pick and choose, depending on my mood. But that’s just me. There’s no right or wrong way to read Discworld.

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Any recommendations?

The Hogfather, that one I will crow about until the end of time if I’m honest. I adore the book and the adaption – watch the adaption and read the book every Christmas. It’s got a special place in my heart, and always will. If you like unconventional Christmas stories, inappropriate people playing Santa (aka The Hogfather himself), assassins with the most questionable sanity ever, and badass women, definitely go for this book.

Going Postalthis one was another I watched the adaption of first, simply because I only just found the book last month in a shop. But this book follows the aforementioned Moist Von Lipwig, a con artist forced to save the post office. And by save it, I mean having to build it from the ground upwards. Assassins try to kill him, Gollems try to help him, and the post office saves him. All in all, a brilliant story, definitely one to read when you’ve got a bit of time on your hands – the book is a brick. 

Mort, a shorter book, but a fun one to read if your interest in DEATH has been piqued. It follows Mort, a boy apprenticed by DEATH himself, and what happens when the powers go to his head. A wonderful way to get to know DEATH a little better, and while Susan does not appear in this book, it gives a great explanation as to why she is like she is.

Really though, pick whatever you want. There’s a book for every occasion, and an audiobook adaption for every one, all read by the wonderful Tony Robinson, who just adds to the books perfectly.

You mentioned adaptions, which ones can I watch?

The Hogfather, to start with. Starring David Jason as Albert, Michelle Dockery as Susan and Marc Warren as an unforgettable Mr Teatime. It’s almost word perfect from the book, with very few scenes missed out, and runs at 3 hours long. It’s where I started so I cannot recommend it enough. I’d say watch it at Christmas though, it is set during Discworld Christmas after all.

The Colour Of Magic, also starring David Jason, this time as Rincewind. Sean Astin stars beside him as Twoflower, the first tourist of the Discworld, and Tim Curry as Trymon, a power-hungry wizard from the university. This also combines the sequel The Light Fantastic so you won’t be left hanging, and is incredibly enjoyable. It’s not as good as The Hogfather, but still, a great way to spend 3 hours.

Going Postal, no sign of David Jason in this one, but still an all-star cast of Charles Dance, David Suchet and Claire Foye. Again, 3 hours long, but absolutely brilliant to watch. Funny, great comedic timing, and just generally brilliant. I loved watching this one.

The Watch, I can’t speak for these ones yet, as they haven’t actually started filming. This has been in development since 2011, with stops and starts all over the place, but I have faith. From what I can tell, the scripts have been written, overseen by Terry Pratchett himself before his death, and his daughter is apparently going to be overseeing the BBC’s production of it. Who knows though, it’s taken 7 years to get this far, so you’d probably be better reading the books first.

And, because I can, Good Omens. Yeah, I know that this isn’t a Discworld novel and that it’s actually set on Earth during the apocalypse and is co-written by Neil Gaiman, but come on guys, this is one of my favourite books, I had to mention it! BBC and Amazon Prime have joined forces to adapt Good Omens, overseen by Neil Gaiman, on a promise to Sir Terry before he died so I can promise accuracy in this one. And the cast, oh the cast, it’s one of the most beautiful things I’ve ever seen. FotoJet (1)

David Tennant as Crowley.

Michael Sheen as Aziraphale.

Sian Brooke as the mother of the Antichrist.

Jack Whitehall as Newton Pulcifer.

And guests such as Mark Gatiss, Reece Sheersmith, Josie Lawrence, Miranda Richardson and Nick Offerman. Could this be any better? No. No, it cannot! It comes out next year on Amazon Prime and is going to be aired on the BBC later in the year. Filming wrapped just last week, and I am beyond excited to see this adaption come to life!

Anything else to add?

Apart from saying that The Discworld is one of my favourite novel series of all times, that Terry Pratchett is a genius and that you all need to read his books ASAP? Nope, I think that’s it!

Phew, this was a long one, but I guess I’m that passionate about Discworld! If you’ve got any questions you’d like to ask me about the series, leave a comment below and I’ll give my best answer. Or leave a comment if you have a Discworld book you’ve read and loved, I’d love to know where to go next in this world!

Until next time guys, happy reading, and enjoy your trip to The Discworld!

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Why Jessica Jones Is One Of The Most Feminist Shows On Netflix

Why Jessica Jones Is One Of The Most Feminist Shows On Netflix

Jessica Jones season 2 arrived yesterday on Netflix, and, once again, it proved just what girl power looks like.

By that, I don’t just mean the fact that Jessica is physically strong because of course, she is very strong, I mean that Jessica Jones is strong as a series because it breaks every stereotype female characters are shoe-horned into. And that is something that is desperately needed right now.

First of all, the show is named after it’s female lead, and there is no fixed lead male. The first season featured David Tennant as the male lead villain, who played a huge part in the storyline, and in Jessica’s origins, but this season, there is no lead male character. There are male side characters who are important to the storyline, but the show focuses on Jessica and her adoptive sister, Trish.

On top of that, every single episode of this season was directed by a woman. To me, that is revolutionary. So many directors are male, they dominate the industry, but Marvel decided to have an entire series directed by women, and as you watch, you can tell.

Want to know how you can tell that Jessica Jones is directed exclusively by women?

There are no gratuitous topless shots of women. Not one. Not a single one. Not in any sex scene (of which there are a couple) or a shower scene, or anything. There is one scene where Jessica is in her underwear, but it was not for her to be seen as ‘sexy,’ or put in for her to be objectified. It’s not shot in a way that says ‘look at the sexy undressed woman,’ it’s shot like any other shot, the actress just happens to be underdressed, and for a reason that makes sense in the story at that point.

And that’s just the tip of the ice burg of equality in this show, there are so many more examples it makes my head spin.

The women in this show are so real, they all have motivations, all have back stories either explored or referenced, all have vices they cannot live without. They are fully fleshed out characters, with no reliance on stereotype. Jessica and Trish are friends, refer to each other as sisters multiple times throughout season 2, even when they argue constantly.

Even their arguments are real. They’re not arguing over a guy or trying to sabotage the other due to jealousy. They’re fighting over things like addiction, about the past Jessica refuses to explore, about family. Even those arguments are from a place of love, it’s never spiteful, or manipulative. You don’t realise how often you see women warring against each other in the media over silly reasons until you watch women fight out of a place of love.

Every episode passes the Bechdel Test, at least twice, if not multiple times. Women talk to each other about illness, about addiction, about solving cases. Yes, they also talk about relationships, but it’s not the only thing they talk about. On top of that, whenever it is revealed that a woman has slept with someone else, there is no ‘slut-shaming,’ or being judged for it. No character is ever shamed for having a relationship.

In fact, no female character is shamed for eating. In any scene involving food, no woman commented on her diet, or their body, or anyone else’s. They ate, and it was a normal thing to do.

Jessica Jones doesn’t just avoid stereotype, it also tackles some hard-hitting topics as well. Topics incredibly relevant for today’s society and today’s current events.

PTSD, rape and abuse are all topics carried over from series one, and will probably continue on into further seasons, as they’re so central to Jessica and Trish’s characters. But what season 2 builds on is rape culture.

From the first episode, Jessica calls out a man when he says that he won’t take no for an answer. This man is never forgiven and is made to be a more minor bad guy for the season. No man is ever allowed to take anything from a woman without retribution in this show, any who try to use, or abuse, any female character is always shown to be in the wrong. While the consequences don’t always fit the crime, the point still stands – no man gets to use a woman without consequences. And the consequences always comes from a woman.

And finally, and most importantly, there is a minor storyline about directors using young girls for sex. It is explicit in its reveal, without showing the actual deed, but it is made very clear that forty-year-old directors coaxing desperate sixteen-year-old actresses into bed was disgusting and deserved to be punished for their actions. Every woman involved in the storyline was in agreement automatically – he was in the wrong, the girl in question was a minor, and was a victim in the situation. There was no discussion between them as to what exactly happened, the victim was immediately believed, the director was not allowed to try and weasel his way out of it.

To say the least, it sends a powerful message to Hollywood and everyone in the film industry. If I’m honest, the entire series, the entire show, is a powerful message to the film industry.

Women are strong, they are powerful, they are diverse, with rich backstories and beautiful friendships. Women can hurt others, but they can also support them and help them through anything. Women can be flawed as people, but they are not to be shamed for their actions.

They are people, and their stories deserve to be written, directed and acted out. People need to see things like this. And they need to take away this message:

Jessica Jones should not be the only TV show out there like this. There should be more holding up these same values. Women are not sex objects or a thing to stereotype. They are real and wonderful, and human. Tell their damn stories, just like you would with any other male character out there.

Marvel'sJessica Jones

Black Panther Forever

Black Panther Forever

The world fell in love with T’Challa, AKA The Black Panther, in Captain America: Civil War in 2016, but 2018 was the year of his first solo movie, and it does not hold back!

It’s fair to say that Black Panther has been one of the most talked about Marvel films in years, you could go as far as to say that it’s the most talked about film of 2018 so far. Marvel films usually are the most talked about of any year, but this one has been especially anticipated.

The first superhero film to feature a black lead since Blade, and definitely the first to feature a nearly entirely black cast, this film had a lot to prove to the world. And it didn’t just prove itself, it outshone every expectation I had.

I was expecting the usual Marvel affair, light-hearted, funny and great action scenes. Instead, I got a lesson in African culture, in responsibility, and in what it feels like to be an outsider in a world which has not been kind.

Following in the same vein as Luke Cage, one of Black Panther’s main themes is racism, and how it can affect those prejudiced against. It shows what happens when it is ignored, especially by those who can help.

Also following Luke Cage’s example, the film brings culture to the forefront. Not superhero culture, or American culture, but Wakandan culture. Steeped in tradition, inspired by African culture, mixed with technology so advanced it would make Tony Stark’s head spin, Wakanda is nothing like anything I could have ever imagined.

Director, Ryan Coogler, could have easily ignored tradition and created a more Westernised Wakanda, a technologically advanced America. Instead, he decided to celebrate Africa, to finally bring the continent to the big screen. It was clear to see that he had done his homework, that everyone involved had too. From the warriors of Wakanda (including a specialised army made entirely of women) to the five tribes, to the country itself, everything had African influence. Everything tied back to tradition, to culture, and never let its audience forget just where they were in the world.

I cannot speak as for how accurate this was, as I know nothing of Africa or of the deep racist problems of the world, further than what I have seen in the news. But what I can say is this, Black Panther is a brilliant film, one that will break records and set an example for the film industry in terms of diversity. It is fast paced, full of life, and comes with an incredibly important message. It’s a must for anyone who enjoys the superhero genre, and a brilliant expansion of the MCU, one I hope stays on for years and years to come.

5/5 stars.

Strikebackvideoathon Blog – Week 1 – 5 Sequels I Want To Read

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Recently, the Booktube community decided to fight back against the new algorithm on youtube, and thus created the Strikebackvideoathon! It basically means that us booktubers are trying to upload one video a day to our channels, to protest against these new rules.

For more information on this, I’ll leave the link to ThatBookie’s video on the subject:

Now I can’t upload every day, so I’m posting Wednesday’ prompt answers on here and then answering everything else I want to answer in a long video on Friday’s, as that’s the only way I can really fit it all in!

So, without further ado, let’s get onto the first Wednesday prompt – 5 Sequels I Want To Read:

This is quite a hard one for me at the moment because last year I made a real effort to get through a load of sequels I hadn’t gotten round to. But, luckily, there are still a few I haven’t gotten round to, which I’m determined to get to this year.

  1. Skulduggery Pleasant, Dark Days. Anyone who watches my channel knows that I adore Derek Landy’s Skulduggery series – it’s a middle-grade series about a skeleton detective, and his human assistant, Valkyrie, as they face down terrifying monsters, such as The Faceless Ones, using magic. It’s a brilliant series, one that I thoroughly enjoy. I only read the first two as a kid, but recently picked up the series again, and the last book I read left things on a HUGE cliffhanger, one that had me nearly screaming with the desperate need to read the next one. Sadly, I couldn’t read it, as I had other books planned, so I had to wait. And I’m still waiting now, but this year, I am getting to Dark Days, and hopefully the next book afterwards while I’m at it!
  2. Discworld, Terry Pratchett. Yeah, I know that’s a huge number of books, there’s at least thirty of this series I have yet to read, but I really want to get to at least two more in this series this year. I’ve adored the Discworld for years, especially The Hogfather, but I want to explore more of this fantastical world. I want to explore more of Ank-Morpork, train with the Wizards of the Unseen University, help Death on his travels and befriend his granddaughter, Susan. And I can only do that if I read more of these wonderful books. So, I’m going to pick up a few this year, most probably The Colour Of Magic and it’s sequel The Light Fantastic. 
  3. A Series Of Unfortunate Events, Lemony Snicket. I adored these books when I was a kid, but for some reason, I never went past book 6, so now I’m trying to get to the rest of them over the next few years. I just finished The Austere Academy, so I’m making reasonably good headway, but I’d still like to continue with this, and not get stuck again.
  4. Miss Peregrine’s Home For Peculiar Children, Library Of Souls. I have a love/hate relationship with these books. I read the first one and adored it, thought it was brilliant, though I would have liked a little more detail in places. But then the film came out, and butchered the second half of the book entirely… and then I read the second book Hollow City and really lost my way. I couldn’t get past the Peculiar Animals, they were one step too far for my literal brain to process and deal with. I’m usually pretty good at suspending my belief, but the animals totally and utterly stopped me in my tracks, and so I sort of gave up on the series. But at the same time, I want to finish it. There’s only one book left, and I do want to know if they all live/how it all ends. It’s just getting past the Peculiar Animals, which is proving very hard to get over for me.
  5. Xandri Corelel, Tone Of Voice. If you haven’t heard of the new series, Xandri Corelel by Kaia Sønderby, then you really need to check it out. The series is a SciFi, based around Xandri, the last autistic person in the universe, and it’s brilliant. As someone with Asperger’s, I found her to be the most relatable character I have ever come across, and the rest of the book to be so beautifully diverse I couldn’t help but adore it, without even considering the brilliant storyline. I fell entirely for Xandri and her friends, and am now desperate to read more of her story. There’s a prequel I’m going to buy for my birthday to tide me over, but I really cannot wait for the sequel to come out, whenever that may be.

That is currently my top 5 sequels I want to get to! All of them apart from Tone Of Voice are currently in my possession, so I’m prioritising them this year, and I cannot wait to get to each of them, for various reasons.

Have any of you guys read these books? If so, tell me what you thought of them in the comments, I’d love to know what you thought of them!

Monsters Of Verity by Victoria Schwab Review

Monsters Of Verity by Victoria Schwab Review

This time last year, I bought a trilogy called A Darker Shade Of Magic by an unknown author to me – V. E Schwab, and I quickly became obsessed with them, devouring every word, feeling like I couldn’t get through it quick enough and find out what happened.

Since then, I’ve had this desperate urge to read more of her work, to see what other stories Schwab could tell, and so, I decided to start 2018 with her duology Monsters Of Verity. 

All I have to say is wow. 

I’ve spent this week essentially binge reading This Savage Song and Our Dark Duet, and both are simply incredible. In concept, storyline, world building, and just about every other way possible.

The books tell the story of Kate Harker and August Flynn. Kate is a human from North City, the daughter of Callum Harker, who keeps monsters as pets and demands payment from citizens for their protection.

August, on the other hand, is a monster, a very rare form of monster, from South City, the adopted son of the leader of the FTF – a group trying to protect humans from the monsters bite. The two meet in school, and soon find themselves on the run, hunted by the monsters Kate’s father is supposed to control, as the cracks of so-called peace start to appear.

What follows is an incredible story, one I couldn’t help but adore every single second of.

At first, I was slightly wary of this duology – it’s a YA, whereas A Darker Shade Of Magic is a more adult series. So I was worried that there was going to be something missing from Schwab’s writing, that it could be dumbed down a bit, possibly sanitised for a younger, more impressionable audience.

Not true.

Not true in the slightest.

This duology is dark, dealing with murder and massacres, fights and fear, bombs and blood. It’s thick with it and doesn’t shy away from talking about it. About the consequences of violence, the sacrifices people make in war, of the ruthlessness of humanity and what that can create. It’s all there, never once talking down to the reader, never treating the reader like they’re anything but intelligent human beings.

From the first page, I was swept up into the story, constantly wanting to read more, entirely engrossed in events unfolding on the page. Just a quarter of the way through book one, I was already telling my mum and best friend to read the books. By the end, I’m not going to let it go until they do.

These books are a must read for any fan of Schwab’s more adult work. They’re a must read for urban fantasy readers. They’re a must read for anyone who likes reading about monsters and violence.

They’re simply a must read.

And, they’re also proof of V. E. Schwab’s writing power. She’s a powerhouse who produces two books a year on average, all high quality, well thought out, and utterly engrossing. I cannot speak highly enough of her writing skill. She’s in my top 3 favourite writers, fighting with the big guns Neil Gaiman and Terry Pratchett.

I cannot recommend this duology enough, it is rare that I find a series I want to devour so fast, and this was definitely one of them. If you ever get the chance to read these books, do it. You will not regret it.